“The Mad Wome” Review, ‘s Ball’-Toronto Film Festival-Deadline


Mélanie Laurent Adaptation, director, star Crazy women ball (((The Bal des Folles), French Amazon Original premiered in the glass section of the Toronto International Film Festival. Lou de La age, who worked with Laurent breath, Co-star of the moving story of an oppressed French woman at the end of the 19th century. Based on the novel by Victoria Mass, it mixes real and fictional characters in the disturbing environment of a mental hospital.

Eugenie (de La age) is a cool French girl who yearns for the education and experience that men like her brother can enjoy. She also sees deaths – but not always, enough to worry about her family. “I know what happens to a girl like you,” said Eugenie’s worried brother, and certainly her father immediately took her to the Lapitier Salpêtrière hospital. to augment. ..

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Charcot is less blessed by patients, whether they have been humiliated during demonstrations of hypnosis in public or tortured in an ice bath in the name of “hydrotherapy”. However, Eugenie’s path to the dead could be her lifeline when nurse Geneviève (Laurent) found out that she was saddening her sister and awaiting her contact. ..

The premise has a paranormal theme, but the tone is stylized realism. You can never see the spirit that Eugenie claims. It’s just a trance that catches up with her when she gets a message from the other side. These are primarily used to advance the plot, not to create a mysterious, otherworldly feel, but her credibility suggests that she has a real knack for it.

Laurent mainly focuses on the daily life of the women crammed into the title ball as they dress and parade for the charm and nymphomaniac of the gathered men. These are women who have been diagnosed with everything from epilepsy to “hysteria,” accused by men and punished by women for carrying out orders from men.

While Laurent insists on the bitter reality of women in this patriarchal establishment, the tone turns towards a feminist prison drama. However, there is also a glimmer of joy that lightens the load and makes women feel warm. Whether they laugh at each other, strengthen bonds, or take comfort in each other, women connect in a reliable and heartwarming way, even if they aren’t sentimental. Girl, break here.

There is an awesome scene where a patient interrupts a song in a church. These are women who in later history are celebrated with extraordinary talent rather than being trapped.

The performance is powerful. Laurent, a nurse whose opposite buttons are pushed up, and De Large, a strong and handsome mystic. The similarities between the two central figures are mainly communicated visually. Laurent and cinematographer Nicholas Calaca Tsanis add similarity in several scenes that reflect their position.

The film’s ending seems a bit rushed, but it’s still a bitter historical drama that tells a compelling story about brotherhood and survival, the precursor of Laurent’s next feminist character. Nightingale..


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